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10 Tips to Get Started with Sketchnoting

by Silvia Rosenthal Tolisano
cross posted to Langwitches Blog

I facilitated a workshop at Miami Device this past week. Most conference sessions feel rushed with only 45-60 minutes to share, but thanks to Felix Jacomino‘s the genius mind behind the conference, scheduled my 10 Tips to Get Started with Sketchnoting workshop for 2 hours! It gave us the opportunity to DO what we were talking about. Participants were able to practice sketching the content of the workshop as they were learning about sketchnoting! We walked, step by step, through building a sketch by remembering these 10 tips:

  1. Remembering that you don’t have to be an artist to use sketchnoting as note taking or to make your thinking visible
  2. Skethnoting is about ideas, connections, thinking, about the process , visualizing and organizing your thinking
  3. What can be sketchnoted? Books, TED Talks, Lectures, Articles, Brainstorming sessions, Presentations, Birthday Cards or blog posts
  4. Different types of structures: linear, columns, freehand, timelines
  5. Elements: connections, icons & bullets, containers, typography, people & objects
  6. Listening Tips
  7. Practice objects, increase your visual gallery
  8. Sketchnoting for: process ideation, note taking, mindmapping, reflection
  9. Tools
  10. Share: Although sketchnotes are supposed to make primarily sense to you alone, sharing them via social media allows others to learn from your perspective and your visible thinking

Sketchnoting-10-Tips10

 

Enjoy some of the participants’ sketchnotes of the workshops (for some the first attempt)sketchnote9sketchnote3sketchnote5sketchnote6sketchnote7miami-device-Jeannette-KostkaBy Jeannette Kostka

Along the way participants received the assignment to practice their skills by building their visual vocabulary. What are some concepts that you are passionate about, that you would, most likely, be trying to make your thinking visible? How would you be able to represent these concepts?sketchnote2 sketchnote4 sketchnote8

Participants were encouraged to practice throughout the rest of the conference their sketchnoting, in order to be meta-cognitively aware of their own thinking process as they were taking visual notes?

sketchnotesketchnote10

Sketchnoting another session at Miami Device by Tammy Neill

Digital Storytelling: What it is… And… What it is NOT

by Silvia Rosenthal Tolisano
cross posted to the Langwitches Blog

I was lucky to have shared my childhood bedroom for a few years with my grandmother, when she had come to live with us after an illness. At bedtime, she would tell me stories of her parents and three brothers and growing up in East Prussia, fleeing to the West after WW2 and the things that occupied her mind. I was hooked on storytelling. The fascination grew when technology became available and opened up possibilities that were just not possible before. I would give anything to have been able to record my grandmother’s stories and have shared them with my own children years later.

Humans are natural storytellers. It has been THE FORM of passing on knowledge from generation to generation. Storytelling existed in some shape or form in all civilizations across time. In the 21st century, which we have the luck to live in, Digital Storytelling, has opened up new horizons, inconceivable without the use of technology. Storytelling is evolving, as humans are adapting, experimenting and innovating with the use of ever changing technology, the growth of human networks and our ability to imagine new paths.

Maybe as part of a natural process, we tend to stick first to the familiar and “substitute” our task (see Ruben Puentedura’s SAMR model). Substitution is not enough to explore and experience the potential of digital storytelling.

Over the years, I have seen in classrooms and created myself many stories, that are:

  • merely substitutions to what I could/have done/told in analog ways
  • created in isolation, without any connections to a larger concept, idea or community
  • created only to be read by a teacher for a grade, without the possibilities of ever reaching a larger audience for feedback or being able to take its place as a puzzle piece of a larger picture/story

digital-storytelling-is-NOTIt is NOT about the tools… it is about the skills [bctt tweet=”Digital Storytelling is NOT about the Tools, but about the Skills”]
Digital storytelling is not about how to use VoiceThread or iMovie. It is not about the ability to create an MP3 recording and adding it to an XML file, so people can subscribe to our podcast channel. Digital storytelling is about different types of skills we are developing in the process, such as:

  • writing, speaking, communication skills
  • oral fluency
  • information literacy
  • visual literacy
  • media literacy
  • language skills
  • auditory skills
  • drama Skills
  • presentation skills
  • listening skills
  • publishing skills

Examples:

It is NOT about creating media… it is about creating meaning [bctt tweet=”Digital Storytelling is NOT about creating media, but about creating meaning”]
Smartphones and other mobile devices have made the ease of filming, recording or taking images easy, available anytime & anywhere as well as relatively economical compared to earlier times. The amount of media that is being created and uploaded per minute is exponentially growing and mind blowing. Although there is value in contributing your perspective to a larger pool, the emphasis of the stories we share through different media is about creating meaning and about making that meaning visible to others, not about the act of creating the media itself.

Examples:

 

[audio:http://langwitches.org/blog/wp-content/uploads/2011/03/2nd-Purim.mp3|titles=2nd-Purim]

It is NOT only about telling a story… it is about contributing and collaborating with others [bctt tweet=”Digital Storytelling is NOT only about telling a story, it is about contributing and collaborating with others”]
Digital storytelling is not only about telling the story, but tapping into the potential of being a contributing perspective, example, unique experience to a much larger story. The question grows from “How can I tell my story?” to “How does my story fit in and add value to the stories of others?”. How do we create a much larger story comprised of individual stories?

Example:

    • Sherlock Holmes and the Internet of Things (Thank you to Alan Levine for the project link)
      “Sherlock Holmes & the Internet of Things is an ongoing prototype developed and run by the Columbia University Digital Storytelling Lab that explores new forms and functions of story. Designed to be an open R&D space that experiments with shifts in authorship and ownership of stories, the massive collaboration also uses a detective narrative to examine the policy and ethical issues surrounding the Internet of Things. The goal of Sherlock Holmes & the Internet of Things is to build a massive connected crime scene consisting of smart storytelling objects.”
    • Twitter Storytelling
      Learning how to create “Snippet Stories”,use simultaneous narrators and fractured storyline, co-telling by using #hashtags, sharing with your network and adding value to other people’s learning
      Ron_Gould_on_Twitter____Time_travel_works___the_note_read___However_you_can_only_travel_to_the_past_and_one-way___I_recognized_my_own_handwriting_and_felt_a_chill__
    • Collaborative Storybook: Florida Explorers

It is NOT about telling an isolated story… it is about sharing and connecting experiences and perspectives to a community [bctt tweet=”Digital Storytelling is NOT about telling an isolated story… it is about sharing & connecting experiences & perspectives to a community”]
It is a powerful realization that we all have something valuable to share with others. Digital storytelling takes that isolated story, living in our thoughts, potentially shared with people we know or meet face to face and connects it with a much larger community.

Examples:

  • 7Billion Others
    In 2003, after The Earth seen from the Sky, Yann Arthus-Bertrand, with Sybille d’Orgeval and Baptiste Rouget-Luchaire, launched the 7 billion Others project. 6,000 interviews were filmed in 84 countries by about twenty directors who went in search of the Others. From a Brazilian fisherman to a Chinese shopkeeper, from a German performer to an Afghan farmer, all answered the same questions about their fears, dreams, ordeals, hopes: What have you learnt from your parents? What do you want to pass on to your children? What difficult circumstances have you been through? What does love mean to you?
  • Looking For Stories (Thank you to Alan Levine for the project link)
    “Looking for Stories” is an online documentary web serie where Joan Planas (filmmaker) document stories from people and places around the world using video, photography and articles. We don’t judge the stories. We show them respectfully just as they are, trying to gain a better understanding of the world we live in.
  • Extend Learning

[bctt tweet=”Digital Storytelling is NOT only about the transfer of knowledge… it is about the amplification of our voices”]
While the transfer of knowledge has always been a primary reason for storytelling, the importance of the amplification, the reach of our voices is what makes digital storytelling transformational
Through social media, our potential connections, collaboration and dissemination paths can reach exponential levels. The reach of our voices is about the amount of people our stories are capable of touching. We have moved from an audience of one or a few in a face to face environment to a global audience through synchronous and asynchronous tools.
Even young children (with the help of parents or teachers) can find their voice and be heard! Traditional limitations of age, physical handicaps, financial limitations preventing traveling or a lack of social network connections in the physical world, don’t have to limit someone’s voice any longer.

Examples:

  • Kristallnacht- Night of the Broken Glass: By taking a story written down by my grandfather:
    • translating it into English
    • adding a visual dimension with images
    • an auditory layer by adding my voice and music
    • publishing it to a digital platform and
    • strategically sharing it publicly, I was able to amplify my grandfather’s story/experience and voice past his lifetime.

 

It is NOT about substituting analog stories… it is about transforming stories [bctt tweet=”#DigitalStorytelling is NOT about substituting analog stories… it is about transforming stories “]
Taking an analog story, which is written in text form on a physical piece of paper, told with printed visual material or with a voice to someone sitting in the same room as the storyteller and digitizing it with the help of tech tools does not take advantage of the full potential of digital storytelling. If we are truly looking to transform what stories are and can be in the digital world, we need to look beyond recording a story from a piece of paper or animating our photos from a field trip into a music video. We could dip into the world of transmedia storytelling and look how audience participation, seamless movement between different media can propel a story forward, engage the audience on multiple layers and change the storytelling process altogether.

Examples:

  • Inanimate Alice (Transmedia Storytelling)
    Inanimate Alice is an interactive multimodal fiction, a born-digital novel relating the experiences of Alice and her imaginary digital friend, Brad. The series is written and directed by Kate Pullinger and developed by digital artists Chris Joseph and Andrew Campbell from an original idea by series producer Ian Harper. Episode 1 was released in late 2005. There have been five consecutive episodes created to date with a sixth in production, from a planned story arc embracing a total of 10 episodes spanning Alice’s life from age 8 through to her mid-twenties. The viewer experiences a combination of text, sound and imagery and interacts with the story at key points.

Digital storytelling is NOT just a story told/created/published on a digital platform. What are your experiences and examples in creating new forms of storytelling with digital tools?

Designing New Literacies

by Silvia Rosenthal Tolisano
cross posted to the Langwitches Blog

designing-new-literacies-tolisanoIn Mike FIsher and my keynote/workshop last week at the Wildly Excited Conference at the Grand Rapids State University in Michigan, I shared the following blended sketchnote (blended= self-drawn doodles/sketches combined with a photograph). Participants were asked to take a look at the image and use the Visible Thinking Routine I see, I think, I wonder from Project Zero. They shared their thinking in a backchannel in a Today’s Meet room.

Before looking at my image annotations and reading the examples/ excerpt of the backchannel below with teachers’ responses, consider going through the exercise yourself. Take a few minutes to intensely look at the image above and follow the thinking routine: I see…, I think…, I wonder… Share your responses in the comment section below, adding your thoughts…sharing and making your thinking visible to others.

annotated-sketchnote

How could you use these techniques shown or demonstrated in your own classroom?

  • sketchnoting
  • visual prompts
  • I see, I think, I wonder routine
  • Backchanneling
  • annotated sketchnoting (or other visuals?)

Teacher Visible Thinking Routine responses

  • One of the difficulties of education our students learn differently than we do,
  • I see an interest in connecting internationally.
  • I wonder what amazing things could happen in classrooms if we all started being more techie and digital in our classrooms?
  • I think it is about the new age of learners
  • I see people handing boxes up to a person standing on them. To me this means building a learning network.
  • I think this is where the digital learning age is headed. I wonder if I’m ready for it
  • Artwork: its Silva. Her family, life. Moving, lectures, author, etc.
  • Are books of no value anymore?
  • how do I use this when I can only get computers once every two weeks
  • Fast paced graphic learning like they are used to. Keep things moving!
  • I think today’s kids brains are wired differently than most teachers over the age of 30.
  • The drawing is busy a lot going on and represents changes in technology and many options of technology
  • I see various ways of gaining/sharing knowledge. I think it represents the current work. I wonder how available for kids in poverty.
  • I think my processing speed needs to incease!
  • I see what students are bombarded with on a daily basis
  • I know this is a worldwide reality and it is exciting, but no wonder our kids are ADHD.
  • I see lots of possibilities!!!!
  • collaboration
  • We need to change our way of teaching. We need to teach more about accessing information.
  • I wonder: when do we allow our brains to have a break from all of those distractions
  • I think this is an accurate picture of our society today- lots of different ways to interact and connect with a variety of people
  • students now have the ability to visit other places and interact with others virtually, without leaving their bedroom or the classroom
  • Global learning and global appreciation is more easily obtainable.
  • Students can use various ways to present their thoughts.
  • We can connect with everyone across the world. We no longer need to be in our own classroom.
  • new literacies: apps, threads, global literacy, digital collaboration, graphics, imagery and film, multiple languages, software and programs
  • I see a variety of media.
  • I see the ink connecting with classes across the district or within our building could be a small start
  • A bunch of disconnected images
  • The power of learning in different ways.
  • Having the luxury of so many ways/strategies to help students in their learning. Looking at learning as evolving.
  • Open a book to learn new things!
  • I wonder how I can use these strategies with classroom with young ones who have special needs.
  • I see a selfie being taken.
  • There are a variety of items that are connected, but if I don’t have a way to connect them they float out in space.
  • I see connections between teacher facilitation and individual work.
  • #world wild learning!
  • when I look at the movie projector I think that many young kids don’t even know what it is!
  • Holy overwhelmed Batman…
  • The tough part is when the students start text talking. I see that a lot in our chats in the online classroom.
  • So many ways available for us to teach and learn.
  • I see flags and think I know those countries and I wonder why are those there, is that where she has been?
  • It’s like going on vacation to other places without leaving your room.
  • Global learning can take place when using technology and connects students with much more information than ever before!
  • Students have so much in their minds!
  • Constant scrolling messages distract ability to sort out my own thoughts!
  • Globalization–speaking multiple languages is important to connect–by plane and/or virtually!
  • Students are learning so much each day through so many mediums. How do we help them prioritize so it changes them?
  • Students learning in the classroom is constantly changing to the digital world.
  • Represents the many ways people are connected.
  • I don’t get the rain clouds in the middle
  • Students can communicate all around the world
  • I see what someone brings to the classroom
  • I see a lot of experiences. I think this looks like a great way to describes oneself through visuals. I wonder who drew this
  • Connecting the world through digital learning and accessing new ideas. A bit overwhelming
  • I think technology can pave a path toward global awareness.
  • Learning is global and there are infinite ways to share
  • I think the drawing is overwhelming
  • It’s the brain of most of our students
  • That image looks like the information overload that most of our kids are living with on a daily basis. 😉
  • Many options!
  • Reminds me of the book the Lexus and the olive tree
  • It helps us link or connect our learning to others
  • This is a lot to take in, but this is the way our kids learn now. Very different from what I am use to
  • Great for discussion! Visuals can say so much
  • I think: multitasking and information overload
  • I see literacy becoming more technology based and global. I wonder how it will impact students’ ability to communicate in person.
  • I see learning 2.0
  • Our small learning community is focusing on global cultural and we could reach out to other countries
  • I see interaction in person and remotely
  • Linking ideas together globally
  • There r endless ways to teach and communicate w students
  • The image seems busy to my list-making mind. I’d love the pictures to be in a row.
  • I Think about educational chances
  • to me it represents learning and the different possible ways to learn
  • This picture reminds me of my brain right now! And many of my students!
  • I see interesting artwork that is very symbolic
  • Links to what is already known in the students’ lives, multiple ways of learning and multiple ways of achieving literacy.
  • I see students connected to the whole world. I think I want to do this! I wonder how I can adapt it for my third graders.
  • World traveler who is equipped with technology, family and friends
  • I think this represents our ability to gather knowledge from all over the world using technology
  • Helps all types of learners
  • I see the ways the world is connected
  • Sensory/information overload
  • the power of tapping expertise worldwide
  • Connecting multiculturally.
  • merging the old with the new in innovative ways
  • Digital media brings it all together
  • Very global…learning around the world
  • I see lots of ways to communicate

Telling a Story with Data

Cross posted to Langwitches Blog by Silvia Rosenthal Tolisano

 

6th graders, under the facilitation of their Math teacher, Laurel Janewicz, have learned to take data, analyze the data and tell a story with it. They are demonstrating their understanding of Math concepts, data graphs, misleading graphs and communication skills.

Laurel chose to give authentic, relevant and meaningful data (not invented data) to her students to analyze from the results of a Challenge Success survey taken the previous school year at the school. The survey compiled data about the school’s extra curricular activities, homework habits, parent involvement, student engagement, sleep patterns etc.

Graded-Homework

Laurel’s plan was to have students analyze the data and then create different types of graphs to be able to communicate their findings in a presentation. Students were to tell a story of the data. The rubric below showed students Laurel’s expectations in terms of content, communication/presentation and a blog post.

Laurel also made connections to standards clear:

The bottom of my rubric has the content standards for statistics and data, but Common Core also has 8 Mathematical Process standards and this project hits on a lot of them:
3. Construct viable arguments and critique the reasoning of others.
Make conjectures, justify conclusions, communicate them to others
4. Model with mathematics
Identify important quantities in a practical situation and map their relationships using diagrams, graphs,etc.
Analyze those relationships mathematically to draw conclusions
5. Use appropriate tools strategically
Be sufficiently familiar with tools appropriate to make sound decisions about whether these tools might be helpful, recognizing both the insight to be gained and their limitations.
Identify relevant external mathematical resources, such as digital content on a website, and use them to pose or solve problems.
Use technological tools to explore and deepen understanding of concepts.

math-rubric-challenge-sucess-janewicz

Laurel, in her own words, lists some of the observations and comparison from teaching the same unit in previous years.

What is different this year?
I used real data that is relevant to them because I created a survey which they responded to and shared the results with the students and assigned each student a question/results to analyze.
I pulled all the parts of this unit into one project. Instead of making and analyzing graphs for one set of data (real or fake), finding and analyzing measures of central tendency for another (real or fake), creating and analyzing misleading graphs for another (real or fake), they do all of it for one real, relevant set of data.
I added the element of making the data tell a story- using it to communicate or persuade. Data and a narrative go best together.
I incorporated use of technology so they could share this on their blog not just with their classmates and the Graded community, but with a global community.
I dedicated a lot of class time for working on this and shared student work along the way so students could see exemplars and offer and receive feedback.
I designed specific questions for students to offer feedback on the projects on the blog posts.

graphing graphing2 graphing3 graphing4 graphing5

From the perspective of modern skills and literacies upgrades:

Good teaching is good teaching. Adding technology to bad teaching still will not increase student learning. Adding technology to good teaching can add new layers and open up new dimensions of connections and learning. Laurel’s lesson on data analysis and graphing (including misleading graphs) was well planned, developed and executed to begin with. The lesson could have stood on its own and would have addressed the Math standards.

By tweaking the lesson, as Laurel described above, so many more instructional methods, skills, literacies and standards were addressed:

  • making thinking visible
  • being able to visually tell a story with data
  • communicating that story via an electronic media for a larger audience (potential global connections)
  • communicating math concepts
  • going through creation cycle: data analysis, creation, sharing, publishing, feedback, revision
  • differentiated
  • personalized
  • student choice
  • media literacy: choose appropriate media, possibly “media/app smashing”, by mixing several tools/media to create one project
  • network literacy: writing for an audience, receiving feedback, responding to feedback
  • information literacy: analyzing data, recognizing misleading data, visualizing data, interpreting data from multiple perspectives
  • digital citizenship: be aware of copyright of digital images (Creative Commons, proper citation)

Natasha, one of the sixth grade students summed up her experience in her blog post:

In math, we have been working on a project with data from the responses we got from the Challenge Success Survey. I thought that this project was extremely interesting because we got to incorporate our knowledge of most of the things we had learned about in that math unit. I really liked taking on my project from a different perspective. I also got to experiment with different websites that were really cool. I got to learn all about misleading graphs, graphs and so many other things that I hope you find as cool as I did.

Student examples (created in Wideo, Google Presentation, PowToon, Piktochart, Prezi) of presentations:

How Much Time are Graded 6th Graders Spending on Homework? by Maya W.

Come to Graded by Jack

Is it Fake or just Misleading? By Yael

Let’s Get into This by Rens

You Can Never Get Too Deep When it Comes to Data! by Tashi

Homework? Time? What’s Going on? by Laura

Do you do as much Homework as I do? by Alyssa

The Challenge is Complete by Felipe

math-felipe-infographic math-felipe-infographic2 math-felipe-infographic3

 

Interested how this story continued to unfold? Watch for an upcoming blog post of Blogging in Math class, with student samples and model lesson video of Laurel introducing her expectations for quality blog commenting in Math.

Visible Thinking in Math- Part 1

Cross posted to the Langwitches Blog by Silvia Rosenthal Tolisano

The conversation about visible thinking in Math started with one of our teachers at Graded, The American School of São Paulo, Adam Hancock, wanting to know how he could incorporate having students’ use their blogfolios in Math class. It seemed natural to have students write for Humanities (Language Arts and Social Studies), but writing did not seem part of what Middle School Math was about.

How could “blogging” go beyond taking a digital image of a Math problem on paper or a quiz and writing about “how the student felt about solving the problem or passing the test?”or ask themselves what they could have done better?

One of the first steps was to bring more “language” into the Math classroom. In a Skype call with Heidi Hayes Jacobs, she said that Math should be taught more like a foreign language.

photo 2

Students need to know vocabulary words and become fluent in “speaking Math”, in order to be able to communicate their thoughts and ideas.

photo 1

Videos and screencasts are great tools to articulate, visualize and then share ones’ thinking when working to solve a Math problem. Below is a video of Adam, modeling solving a mathematical equation.

Google Glass- Math Equation from langwitches on Vimeo.

Making Mathematical Thinking visible had the following purpose for Adam in his classes:

1. give students a truly differentiated math experience and expose them to a wide variety of math concepts.

2. encourage self directed learning and allow them to demonstrate their understanding in a way of their choosing.

3. make their learning process visible and allow students to reflect on their growth and learning in the process of solving the problem, by using the KWHL routine (What do I know? What do I want to know? How will I find out? What have I learned?)

KWHLAQ2

KWHL-Mary

KWHL by Mary

Prezi by Isabella

More student blog posts:

The process of making mathematical thinking visible, as well as the artifacts’ quality, was hopeful, awkward, “messy” and challenging…

Adam and my observations:

  • Students were working in different areas of math, and most of them had to learn something new, and tie it to what they already know in order to explain their problem.
  • It is not a natural skill for students to be able to “speak” Math. There is a need to expose and encourage students to use mathematical language to communicate.
  • The ability of being able to articulate and make a thinking process visible is a skill we need to support our students in becoming fluent in. It was challenging for students to think about and articulate their learning value instead the production value of their artifact.
  • Some students focused in their reflection on documenting the steps of what they did as they were solving the problem, not on the necessary thinking that was involved. Some students don’t/didn’t see the reason why they should be reflecting on their learning in Math.
  • It seemed unnatural to ask students to write a reflective blog post tagged on the end. It seems artificial and one more thing to do as an add-on, versus reflection as part of the learning process. Option of breaking the reflection process into different blog posts along the way, which later on can be linked to each other to demonstrate the process path.
  • When students are given a lot of freedom to demonstrate their understanding, a lot of them need structure and some clear guidelines or else the product does not turn out very well. This may improve with practice and more opportunities for them to work independently.
  • Many students didn’t fully follow the KWHL routine, and only posted an explanation to their problem. In some cases the explanations were wrong. In many cases, they didn’t actually post the KWHL page, and so they lost sight of “the point”. Maybe because this was a new process, a lot of students produced “the bare minimum “. Generally speaking, students who are conscientious and engaged did well and produced meaningful blog posts. If they did the KWHL process correctly, they documented what they didn’t know before they began researching their problem, and then demonstrated what they learned in the process.
  • There is a sense among many students that this is actually ‘more work’ than just taking a test, and therefore it is harder.

These observations are helping us continue to strive for meaningful activities and strategies that support student learning. I am often reminded of Vicki Davis’ blog post, Fail Foward, Move Foward. The word “fail” has a connotation in education, that has to change, along the paradigm shift of how we learn best and differently. In the spirit of Failure is Mandatory in the Culture of Innovation, we are celebrating these “failures” and seeing them as challenges to continue to talk, think, rethink, repeat, throw out, tweak and re-imagine…

fail

Quote seen in Tweet during #asbunplugged

I am excited to see how we will continue to make thinking visible in Math and help students write /blog about their thinking strategies in order to become fluent in the language of Math. A big thank you goes out to Adam for learning along side!
Stay tuned for Part 2 in Visible Thinking in Math…

iPhoneography: Photo Challenges, Ideas & Literacy

cross posted from Langwitches Blog by Silvia Rosenthal Tolisano

I have been facilitating an iPhoneography activity for our Middle Schoolers over the past two quarters.

iphoneography

iPhoneography is defined by Wikipedia as:

iPhoneography is the art of creating photos with an Apple iPhone.This is a style of mobile photography that differs from all other forms of digital photography in that images are both shot and processed on the iOS device. It does not matter whether a photo is edited using different graphics applications or not

The class was 40 minutes long, which I divided into the following workflow:

  1. 10 minutes of challenge explanation
  2. 20 minutes of “in the field” photography
  3. 10 minutes of photoapping and sharing of final images

We worked on:

  • basic photography tips, such as contrast, brightness, depth of field and saturation
  • photoapping (sending one image through several apps to achieve a desired result)
  • storytelling
  • communicating via images

In addition, the class discussion, activities and reflections  lend themselves to:

  • copyright (digital citizenship)
  • photo etiquette (digital citizenship)
  • (exponential) producer-culture (media & information literacy)
  • editing of media (media & information literacy)
  • visual storytelling (media literacy)
  • instant sharing (network literacy, digital citizenship)
  • photoapping (tech fluency)

I built the class around photo challenges (There are many, many photo challenge suggestions shared online… just google them. I also use an app iPhotography Assignment Generator) :

  • Feet
  • Selfies
  • Something green
  • Depth of Field
  • Clouds
  • Forced Perspective
  • Scavenger Hunt
  • Reflection
  • Black and White
  • Angle & Perspective
  • Cartoons

What’s next?

selfies-activity

During the last nine weeks of the school year, I will be offering another activity for Middle School students. We will focus our efforts on the infamous Cultural Phenomena of the Selfie. We would love to make contact with classes from around the world to exchange selfies in order to look for cultural trends, best photography tips and overall give our students an opportunity to redefine the concept beauty.

Interested to connect and collaborate with my students about Selfies? Interested in “just” contributing selfies? Get in contact with me via Twitter (@langwitches) or via this blog.

Take a look at some of the challenges I shared with students and examples below. (Thank you  and credits to all the photographers from iPhoneography! Ana Luiza, Ale, Laura, Vicki, Anna, Fiona, Hannah, Ian, Patricio, Lara, Ida, Giovanna, Ana Clara, Manuela, Gabriela, Belen, Laura, Lauren, Isabel, Martina, Luiza)

Look on down…Feet, Feet and More Feet

Let’s take a look at our feet today.

feet

Why feet you might ask? …Why not?
Sometimes it is not “just” about the object in your photograph, but about the STORY behind it.

feet2

It is about the story “your feet” tell.
feet3
I wanted to share with you the following blog, with a truly inspirational post about : Why Take Self- Portraits of your Feet?
Your mission today is to tell a story with a picture of (your) feet.
Colors… Colors… Colors… Our world is colorful. Photography allows us to focus in on one element of our world and bring it to the foreground to enjoy without distractions. A photographer leads the eyes of the viewer to something that otherwise he/she might not have noticed.Let’s focus on the color green.
green
green2
pinterest-green
There are entire Pinterest Boards dedicated to the color green.

cartoon

cartoon2

cartoon3

cartoon4

You have all seen these photos. Only part of the photograph is in focus, the rest seems blurry and further away. That is called in photography terms “Depth of Field”.
“Depth of Field is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image.” (Wikipedia)
depth-of-field
depth-of-field2
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Let’s work on photoapping today.
use any app you would like or try out this new (free) one Pixlr Express+
After you sent your photo through one, two or three apps, use a Pic Collage app (like PicStitch) to show BOTH pictures and email them to me to upload and showcase them on our Pinterest Board
Let’s look up today! Up, up, up to the clouds. It is ok if we have beautiful blue skies in São Paulo… make it your challenge of the week to take a photo of interesting clouds, photoapp it and send it to me via email to be included on our Pinterest Board.
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Ever heard of “forced perspective”?Definition according to Wikipedia:

Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It is used primarily in photography, filmmaking and architecture. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera

Let’s look at lots of examples

perspective

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Today you will complete a Scavenger Hunt!
You will roam campus to take one image for each one of the assignments to complete the hunt.

  • Once you have images for all assignments, import to PicCollage app and label the image with the title of the assignment.
  • E-mail me the final image from PicCollage.
  • The time stamp of the email will confirm the winning photographer.

Photograph the following assignments (Total of 7 images):

  1. cold
  2. funny
  3. brave
  4. light
  5. fuzzy
  6. jumps
  7. separated

scavenger

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It is the photographer’s job to show something that others do not see in their photograph.
Today’s challenge is to capture a reflection.It can be an intentional reflection or a reflection that normally we would run by and might see it.
Let’s see how creative you will be.
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“Selfie” was voted Oxford’s Dictionaries word of the year in 2013.

“a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website”

What types of selfies are out there?

  • outstretched arm
  • duckface
  • mirror
  • “tongue”
  • smile/pout
  • tilted head
  • peace sign
  • sign language for “I love you”
  • rapper fingers
  • eyes squinting
  • winking
  • funny face
  • shadow
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Definition of a Silhouette by Wikipedia

 A silhouette is the image of a person, an object or scene represented as a solid shape of a single color, usually black, its edges matching the outline of the subject.

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Perspective Challenge

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Sometimes ordinary photos can be transformed (edited) with just a few adjustments. Check if your favorite photoediting app has adjustments for

  • Contrast
  • Saturation
  • Brightness

Suggested Apps:

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Learning from a Book

Cross posted to Langwitches Blog

Learning from a book

Curriculum 21 by Heidi Hayes Jacobs

You must have noticed that I have been reading and re-reading “Curriculum 21” by Heidi Hayes Jacobs. I have posted my first impressions and recommendation here and since then have joined and written about the companion Ning to the book here. I created a Flickr Curriculum 21 group to have a hub for images and videos of Curriculum21 teaching and learning examples.

I was inspired by quotes from the book to write the following blog posts Geography is a Separate Subject. Really? and “It Isn’t the Answer Anymore, It is the Question”.

Curriculum 21 is a book that is just FULL of information, ideas, thoughts, research, recommendations and exactly about the change in education, life, skills, literacies, and global competencies I am contemplating and working for.

Unfortunately, the book is not available as a Kindle Edition, which means, I am relying on sticky notes and highlighters as a way to make the rows and rows of text more appealing to my visual eye as well as a way to find passages and quotes more quickly later on.

Learning from a book

Stickies and Highlights

I am conducting an experiment about my own learning style. How can I read this book and best:

  • filter out the information that I want to keep?
  • make connections to my previous thoughts, ideas and blog posts?
  • remember quotes from different chapters?
  • make the text content more visual for my brain?

I am eager to find out:

  • Will I be able to learn about the content of the book differently/better/easier/?
  • Will I be able to “see” connections that with the text alone I did not?
  • Will the process of looking for and selecting the right image that will represent the quote make me think “deeper” about what the quote us trying to say?
  • Will the sum of the quotes I selected from the book tell a story in itself?

I wonder how my personal experiment will turn out… but in the meantime, please take the time to share:

  • How do you learn best from a book?
  • Highlighting, taking notes, talking/discussing it with someone ?
  • Do my visuals help you visualize what Curriculum21 is about?
  • Do the slides do nothing for you?
  • Do the visuals give you a different point of view, than when you were reading the text alone?
  • Are you interested in reading Curriculum 21 (if you have not done so) because of the visual “Preview”?
  • What opportunities do you give your students to learn from a a book?

Curriculum 21 – Visual Book Review

Cross Posted to Langwitches Blog


Curriculum 21

I am usually a fast reader, but I have been taking my time with this book. There is not only a wealth of information, but it connects to so many of my thoughts and ideas I have contemplated in my mind as well as on this blog over the last few years. It resonated with me when Heidi Hayes Jacobs says:

a school does not need reform— it needs new forms.

Heidi advocates that

New essential curriculum will need revision- actual replacements of dated content, skills, and assessments with more timely choices.

I really liked her approach when she suggests the distinction between a “growth model” instead of a “change model” that needs to be introduced to a school’s culture.

As I was reading the book (hard copy, not on my Kindle), I was using highlighters to not miss thoughts or quotes that I wanted to remember. It did not take long to realize that I was highlighting too much 🙂 How was I going to get through this book and make sense of it, connect and wrap it around my thoughts which were floating around but had not been verbalized?

I know that I work best through concepts and ideas when I create diagrams or use mind mapping tools. I really like using the SmartArt Graphics in PowerPoint. The visuals below are a summary of what I “read out of the book”, the most important points in my mind and quotes.

Curriculum 21- What does it mean to be educated?

Based on Curriculum 21 (ASCD, 2010) by Heidi Hayes Jacobs.

What does it mean to be educated in the 2st Century?
Information Literacy
  • Understanding of knowledge, creation & authority
  • Make meaning of information to create new knowledge
  • Find, evaluate, organize, interpret & distribute information
  • Pattern recognition, critical thinking, perception
  • Gather knowledge to become intelligent vs. apply knowledge
Network Literacy
  • Social production is enabled by power of networks to connect people
  • Nature of learning & teaching
  • Locating experts & eyewitnesses
  • Relationships NOT technologies determine learning
  • Enhancing the process of learning to be (Identity)
Global Literacy
  • Compete. Cooperate & connect with global peers
  • Greater understanding of 95% of world’s population
  • Knowledge-driven global economy
  • Global competency knowledge, language &respect
  • Global perspective
Media Literacy
  • Critical Thinking
  • Literary Authority & participatory culture
  • Media is shaping the way students think and express themselves
  • No longer print-centric world
  • Find, analyze, evaluate, organize, remix, store and share media
Student Portfolios
  • Collecting-Selecting-Reflecting
  • Metacognition
  • Gather data about own learning
  • Self-Modifying as lifelong learner
  • Alternative assessment tool
Connecting
  • Non-linear learning
  • Semantic Web
  • Interdisciplinary linkage to real world applications
  • Global Connectivity
  • Ubiquitous connectivity
Collaborating
  • Learning is social
  • Collective Intelligence
  • Engage students to produce meaningful contributions
  • Students making contributions to learning communities
  • Establishing & maintaining working relationships
Communicating
  • Tools to share what we learn open up new ways of thinking
  • Professional Development
  • Community
  • Nationally/ Internationally
  • Foreign Languages
New Roles for the Learner & Teachers

Adapted from Alan November (pp. 186-194) in Curriculum21 (ASCD, 2010) by Heidi Hayes Jacobs.

Curriculum 21

Adapted from Arthur Costa & Bena Kallick (pp. 210-226) in Curriculum21 (ASCD, 2010) by Heidi Hayes Jacobs.

Curriculum Mind Shifts

Adapted from Arthur Costa & Bena Kallick (pp. 223-225) in Curriculum 21 (ASCD, 2010) "by Heidi Hayes Jacobs.

Curriculum Upgrade Model

Adapted from Curriculum21 (ASCD, 2010) by Heidi Hayes Jacobs.

5 Socio-Technology Trends

Adapted from Stephen Wilmarth's chapter in Curriculum21 (ASCD, 2010) by Heidi Hayes Jacobs.

Curriculum Decisions in Schools

Visual based on Heidi Hayes Jacobs in "Curriculum 21" (ASCD, 2010) by Heidi Hayes Jacobs. We need to upgrade curriculum content. She suggests to start with assessments. Decide what kind do we need to keep, what do we need to throw out and each teacher pledges to at least upgrade one assessment type a year.

I also like taking quotes and create visuals of them.

"The real problem is not adding technology to the current organization of the  classroom, but changing the culture of teaching and learning"

Adapted from Alan November (p. 189) in Curriculum 21 (ASCD, 2010) by Heidi Hayes Jacobs.

From Cathedral to Bazaar type learning

Based on Steven Wilmarth (pp. 95-96) in Curriculum21 (ASCD, 2010) by Heidi Hayes Jacobs.

It is the nature and relevance of reading, writing, and sums that change..

Visual based on quote by Stephen Wilmarth in the book "Curriculum 21" by Heidi Hayes Jacobs.